Hello fellow stacker! This is something I've just recently gotten into myself and I've been having a ball with it. It seems even when conditions for other subjects are crap, there's always something interesting to shoot in the "up close" world - even in your own yard. Sometimes even the most mundane things are interesting close up.
I didn't realize the R62 would stack in camera. The R5 doesn't and while I prefer to stack in Helicon because it spits out a DNG, which gives much more latitude for editing, it'd be nice to have the option to do it in camera, too.
I don't know if you're aware, but Canon's Digital Photo Professional software will do Depth Compositing (
or "Composting" as I always call it...and no one here has called me on it yet....). The
desktop software is free because you have the secret decoder ring (
your serial number). (
For some stupid reason, they charge for the mobile version). This would allow you to edit and maybe cull before you stack. Just be aware, the software is not created by Canon's
best engineers....
Free Pro Tip: if you ever try to stack in DPP, and it tells you to "select two or more images" and you plainly have two or more images selected, check the metadata. If you have anything set to "auto" and something changes between shots, (ISO or whatever) it won't recognize them. Instead of telling you "parameters do not match" or something that
makes sense, it tells you you don't have enough images selected.

I can't tell you what a torrent of profanity this engendered until I figured it out! Oh, and DPP can be painfully slooooow.
Not sure about in camera, but sometimes Helicon (and DPP) will give you some weird halo-y areas. Helicon (and DPP, I'm told) will allow you to retouch and find the slice where that area is in focus and "paint it in" over the stacked result. I painted out most of the problem areas in this shot, but if you look at the area behind the bug and the area near the top of the lower right stamen, you can see what I'm talking about:
View attachment 37993
Also, if you're doing manual slices for landscape, make sure to take enough slices. In this shot, if you look at the foreground tree on the right, you can see I missed a slice and the tree is soft (the one on the left isn't much better):
View attachment 37994