Pro Member
- Joined
- Mar 22, 2023
- Posts
- 157
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- 1
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- 539
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- 93
- Name
- Gareth Renowden
- City/State
- Broomfield, Canterbury - New Zealand
- CC Welcome
- Yes
G'day all. I followed PKM-UK over from the DPR R Talk forum, so if I blot my copy book, it's his fault... ;-)
You could call me a sort of ex-pro shooter/photojournalist, in that my first proper job after university involved carrying a camera everywhere I went to illustrate stories for a large UK supermarket chain's staff magazine. This was the late 70s, and we were using Pentax Spotmatics, and then Nikkormats. For flash, we had over the shoulder lead acid batteries feeding Mecablitz flash guns. It kept you fit. I then went on to work on photo magazines for a while, doing occasional freelance shoots as well as profiling some of the top photographers of the time, before moving into editorial and publishing management (which included managing a photo department for a major UK magazine group).
I was a convinced Nikon devotee for many years (my favourite camera of all time is the Nikon FM - I'm sorely tempted to buy a Nikon Zfc every time I see one!), until its relatively slow move into digital SLRs made me look at Canon. So it was a 300D, then a 5D. I spent a few years in the M system - M, M3 and M5 - before getting back into full frame goodness with the R. Upgraded to the R6 as soon as it arrived, and have been building up a collection of RF glass. Not hugely tempted by the R6II, but might jump to the mythical R5II when it arrives, mainly for the MP because most of the birds round our farmhouse are small. ;-)
Long time Mac user (30+ years), Lightroom Classic my preferred software. I have a Nikon Coolpix scanner on the desktop next to the Mac Studio/Studio Display. One day I may complete my digitise the past project, but don't hold your breath...
These days I mainly shoot for pleasure, but do work with a view to illustrating the books I'm supposed to be working on. And then there's the family, and the relentless need to feed social media to market our farm products. Happy to try my hand at anything - being willing to learn keeps you fresh.
If I have any philosophy behind my picture making it's the Cartier-Bresson idea of the critical moment. That, and composing every shot in camera. Every crop a failure - unless it's a necessity. Which may or may not be most of the time. ;-)
You could call me a sort of ex-pro shooter/photojournalist, in that my first proper job after university involved carrying a camera everywhere I went to illustrate stories for a large UK supermarket chain's staff magazine. This was the late 70s, and we were using Pentax Spotmatics, and then Nikkormats. For flash, we had over the shoulder lead acid batteries feeding Mecablitz flash guns. It kept you fit. I then went on to work on photo magazines for a while, doing occasional freelance shoots as well as profiling some of the top photographers of the time, before moving into editorial and publishing management (which included managing a photo department for a major UK magazine group).
I was a convinced Nikon devotee for many years (my favourite camera of all time is the Nikon FM - I'm sorely tempted to buy a Nikon Zfc every time I see one!), until its relatively slow move into digital SLRs made me look at Canon. So it was a 300D, then a 5D. I spent a few years in the M system - M, M3 and M5 - before getting back into full frame goodness with the R. Upgraded to the R6 as soon as it arrived, and have been building up a collection of RF glass. Not hugely tempted by the R6II, but might jump to the mythical R5II when it arrives, mainly for the MP because most of the birds round our farmhouse are small. ;-)
Long time Mac user (30+ years), Lightroom Classic my preferred software. I have a Nikon Coolpix scanner on the desktop next to the Mac Studio/Studio Display. One day I may complete my digitise the past project, but don't hold your breath...
These days I mainly shoot for pleasure, but do work with a view to illustrating the books I'm supposed to be working on. And then there's the family, and the relentless need to feed social media to market our farm products. Happy to try my hand at anything - being willing to learn keeps you fresh.
If I have any philosophy behind my picture making it's the Cartier-Bresson idea of the critical moment. That, and composing every shot in camera. Every crop a failure - unless it's a necessity. Which may or may not be most of the time. ;-)