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One thing that seems to have just about everyone concerned with regard to the R7 is how a 32MP cropped sensor would perform with high ISO. I have been dealing with high ISOs for years both with a Nikon D500 and the R7, and have developed a workflow using Topaz Denoise AI as the first step coming out of Lightroom into Photoshop and I've had great success. Given that Lightroom does not yet support the R7, and likely will not for a few months, I've had to use DPP4 and honestly I'm not yet comfortable with it. When I am I'll do something more formal with photos of the noise before and after.
I processed these captures taken at ISO 3200 and 5000. One thing I've noticed with color noise and Topaz Denoise AI is that it sometimes struggles with green backgrounds, and I'm seeing a bit of that here. I've learned how best to deal with it in Lightroom first so I hope to find the same techniques in DPP4. That said, I am pleased with the results and believe I'll be able to improve on them over time.
Side note, I did not do it this time so I could show the results, but I would normally add some Gaussian blur to mask some of the weirdness in the greens.
I processed these captures taken at ISO 3200 and 5000. One thing I've noticed with color noise and Topaz Denoise AI is that it sometimes struggles with green backgrounds, and I'm seeing a bit of that here. I've learned how best to deal with it in Lightroom first so I hope to find the same techniques in DPP4. That said, I am pleased with the results and believe I'll be able to improve on them over time.
Side note, I did not do it this time so I could show the results, but I would normally add some Gaussian blur to mask some of the weirdness in the greens.