Your R System Images - December 2024

Its been a mixed few months in Derbyshire, so many overcast days, although we had snow all too briefly. Anyway a few images from a recent outing. The weather was awful and maintaining a high enough shutter speed meant high ISO, had to lean on Ai noise reduction to clean them up. Pleased with the R6 mk2 though. The AF is much improved over the R5.
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Hi Nick,

We experienced some of the 'mixed Derbyshire weather' last weekend up in Castleton (a wonderful and thoroughly enjoyable time had though!).

What an achingly beautiful and magnificent creature you've captured for us here - we've only ever had all too fleeting glimpses on our travels.

(Interesting AF feedback too).

Thank you for sharing... 🙂

P&K
 
Yesterday i've been to the Dutch amusementpark the Efteling. I decided to take my R6M2 with me

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Hi Arjan,

A series of fascinating and eye-catching captures - this looks like a really fun and photo opportunity rich venue.

A treasure house of interest here for the viewer to explore and enjoy - lush colours and excellent detail evident throughout.

Well done - and thank you for sharing... 🙂

P&K
 
We're back after a short, sharp, Frank-Fest - we even got a regal wave from Santa as he passed by our lunch-munching spot in his Ford Fiesta!

[VERY busy with a whole bunch of (mostly very pleasant) life-stuff, so please forgive the intermittent and random appearances as thread hosts].


While we endeavour to gather (and keep) our stuff together, some Zoo-Time montages from a recent-ish trip to Chester Zoo, Chester, England.

(Shot raw and processed using: DxO PL Elite, Adobe LrC/ PS with Tony Kuyper Panels and Topaz Labs Photo AI. Complications are: R7- Karen and R5 - Phil).

P&K


1. Hello...

RF-S-CZ-01.jpg


2. Slitherin'...

RF-S-CZ-02.jpg


3. Yes - we can see you...

RF-S-CZ-03.jpg


4. What bunch of cuties...

RF-S-CZ-04.jpg


5. Surprise!

RF-S-CZ-05.jpg


6. Cat Club...

RF-S-CZ-06.jpg
 
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Phil, I'm always amazed at how you can take photos at a zoo but make them look like photos taken in the wild. Tight composition and large apertures certainly help, but it's the artist's eye that make the shot. Great set.
 
Phil, I'm always amazed at how you can take photos at a zoo but make them look like photos taken in the wild. Tight composition and large apertures certainly help, but it's the artist's eye that make the shot. Great set.
Hi Mike,

Thank you for your very kind feedback - much appreciated! :)

When we visit a zoo our primary objective is to capture 'non-zooy' images - or, if that fails, ones with a cute/ amusing/ 4th wall slant (i.e. 'the unusual').

A few of the tricks Karen has taught me - she's a much better photographer than I, but I beat her on tech! (though possibly because she hasn't turned her attention to this particular aspect - well, not yet... :cool: ) -
  1. Get there early (or late) when there are fewer people - more space, better chance of securing the best viewing spots, less distracting reflections,
  2. Wear dark clothing to reduce glare (you'll often get mistaken for zoo officials and some people will offer or endeavour to give you working space),
  3. Don't fear the rain - water and droplets make coats and plumage pop, beware bright sunshine and the risk of blowing out white fur/ feathers,
  4. Capture natural backgrounds, poses and expressions, eyes are important (ideally with catch light), if all else fails try to make zoo stuff 'a feature',
  5. Zoom in close on the subject - sometimes very close (you don't have to capture the whole creature, look for key features and interesting textures),
  6. Get down low (or high) to see things from their height and perspective - not yours (my poor back!),
  7. Put your lens hood against zoo glass to reduce reflections (we'll sometimes use a coat to block bright light - Alt. use a long/ soft rubber lens hood),
  8. As you note, get in tight on cables/ wires and use a large aperture if possible - ideally, find an unobstructed view-through (my R5 just loves cables!),
  9. Be VERY patient and be prepared to hang around, or return multiple times - talk to staff and regular visitors to pick up useful tips e.g. key times,
  10. Interact with the animals (we'll talk to and wave at them). Ultimately, they will do their own thing - a non-appearance is a good reason to go back,
  11. Review your shots as you go along to check your settings are working the way you think they are. (We're absolutely terrible at doing this... :rolleyes: ),
  12. Importantly, other people have every right to be there - show them what you can see, offer to let kids stand in front (you can shoot over their head).
In summary - have fun!

Phil
 
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We're back after a short, sharp, Frank-Fest - we even got a regal wave from Santa as he passed by our lunch-munching spot in his Ford Fiesta!

[VERY busy with a whole bunch of (mostly very pleasant) life-stuff, so please forgive the intermittent and random appearances as thread hosts].


While we endeavour to gather (and keep) our stuff together, some Zoo-Time montages from a recent-ish trip to Chester Zoo, Chester, England.

(Shot raw and processed using: DxO PL Elite, Adobe LrC/ PS with Tony Kuyper Panels and Topaz Labs Photo AI. Complications are: R7- Karen and R5 - Phil).

P&K


1. Hello...

View attachment 33560

2. Slitherin'...

View attachment 33561

3. Yes - we can see you...

View attachment 33562

4. What bunch of cuties...

View attachment 33563

5. Surprise!

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6. Cat Club...

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These are just fabulous! It is wonderful how you get such amazing images in the zoo. I will be taking your tips to the zoo next time we go!
 
Phil,
thanks for the tips and suggestions. Now I need to plan a trip to the zoo!

Happy Holidays!
Mike
 
Hi Mike,

Thank you for your very kind feedback - much appreciated! :)

When we visit a zoo our primary objective is to capture 'non-zooy' images - or, if that fails, ones with a cute/ amusing/ 4th wall slant (i.e. 'the unusual').

A few of the tricks Karen has taught me - she's a much better photographer than I, but I beat her on tech! (though possibly because she hasn't turned her attention to this particular aspect - well, not yet... :cool: ) -
  1. Get there early (or late) when there are fewer people - more space, better chance of securing the best viewing spots, less distracting reflections,
  2. Wear dark clothing to reduce glare (you'll often get mistaken for zoo officials and some people will offer or endeavour to give you working space),
  3. Don't fear the rain - water and droplets make coats and plumage pop, beware bright sunshine and the risk of blowing out white fur/ feathers,
  4. Capture natural backgrounds, poses and expressions, eyes are important (ideally with catch light), if all else fails try to make zoo stuff 'a feature',
  5. Zoom in close on the subject - sometimes very close (you don't have to capture the whole creature, look for key features and interesting textures),
  6. Get down low (or high) to see things from their height and perspective - not yours (my poor back!),
  7. Put your lens hood against zoo glass to reduce reflections (we'll sometimes use a coat to block bright light - Alt. use a long/ soft rubber lens hood),
  8. As you note, get in tight on cables/ wires and use a large aperture if possible - ideally, find an unobstructed view-through (my R5 just loves cables!),
  9. Be VERY patient and be prepared to hang around, or return multiple times - talk to staff and regular visitors to pick up useful tips e.g. key times,
  10. Interact with the animals (we'll talk to and wave at them). Ultimately, they will do their own thing - a non-appearance is a good reason to go back,
  11. Review your shots as you go along to check your settings are working the way you think they are. (We're absolutely terrible at doing this... :rolleyes: ),
  12. Importantly, other people have every right to be there - show them what you can see, offer to let kids stand in front (you can shoot over their head).
In summary - have fun!

Phil
Phil a lovely set of images as usual. BTW for reflections if you have an update from Photoshop there is now a reflection removal tool, which works crazy well. A few you tube vids are around showing it's performance.
 
Some recent bird photos from our backyard. First up, a purple finch. These purple berry-colored birds are infrequent winter visitors to our area.
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I caught this American goldfinch in winter plumage in some late afternoon sun.
20241130R7_3987_NR.jpg


The house finch is similar to the purple finch but had a redder color that is isolated to the breast and back. House finches are native to the western United States but were kept as illegal pet birds in New York. Some escaped or were released and now have established a population on the US East Coast. Having photographed house finches on both US coasts, these birds have a more orange cast on the West Coast and appear more red on the East Coast.
20241130R7_4641_NR.jpg


Finally, a couple of photos of a pileated woodpecker that I was thrilled to be able to photograph. These are the largest woodpeckers in North America and while I have seen them fly through the wooded areas near us, I have never photographed one until this cooperative bird hung around.
20241130R7_5421_NR.jpg

20241130R7_5375_NR.jpg
 
These are great, Chris. I like the motion blur, it gives that ethereal feel to the images. It's sharp *enough* to know what they are and get that feel of movement as well.
Yes, and the truth is that if I had realized sooner they were going to fly, my instinct would have been to bump the shutter speed up to 1/1000th or so which with the low light level would have pushed the ISO up causing lots of noise. And I would have never captured the blur. This is the quandary; we try to plan every shot based on what we think we want to capture which sometimes rules out a creative different type of shot. And the truth is, I got loads of sharp takeoff shots so a few more would not have made any difference.
 

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